
TIME AFTER TIME
Some stories move forward by piling on consequences. Others stop time altogether.
Stories that bend time do something stranger. They suspend the future and ask what a person does now. When tomorrow keeps resetting, the question isn’t whether change is possible — it’s where that change comes from, and whether it’s enough.
This week, we’re looking at films that slow time down, not as an escape from accountability, but as a way of testing it. Can a fantasy device explore moral truth without becoming a worldview? Can a second chance matter if the final reckoning hasn’t arrived?
The films below don’t all agree. But each creates space to press on the same tension: growth without consequence, goodness without cost, and the hard question of what finally leads to real change.
Plumb Picks
STUCK ON REPEAT

Courtesy of Columbia Pictures
GROUNDHOG DAY (1993)
A high-concept comedy that doubles as a moral experiment. Trapped in repetition, Phil Connors (played by Bill Murray) is free to improve himself without lasting consequences. Kindness, generosity, and even virtue become achievable, but accountability remains suspended. The loop functions less as a statement on reincarnation than a test of self-directed transformation. Groundhog Day doesn’t resolve the tension it creates, but it asks a lasting question: Is personal goodness enough to break the cycle?

Courtesy of Universal Pictures
HAPPY DEATH DAY (2017)
A slasher remix of Groundhog Day with a surprisingly earnest moral spine. Forced to relive her death, a selfish protagonist begins to change — not through cleverness alone, but through repentance, empathy, and sacrifice. While the film’s worldview is imperfect and occasionally inconsistent, its core premise is clear: transformation has a cost, and compassion requires more than intention. Even within a fantasy frame, choosing the good still demands something real.
Spotlight Series
BACK TO YOU

Courtesy of “Two Sleepy People”
Many stories that bend time do so through repetition. Two Sleepy People takes a different route. Instead of replaying the same day, it steps sideways out of linear time and uses shared dreams as a space where two coworkers encounter truths they avoid in the waking world.
Through a series of overlapping, often jumbled dream states, the film explores how interior growth can quietly shape waking life. The fantasy isn’t about mastery or fixing oneself. It’s about attention — noticing patterns, desires, and fears when the usual pressures of consequence are temporarily suspended. The tone leans existential and lightly surreal, with flashes of humor that feel closer to a Woody Allen–style crisis than a high-concept puzzle box.
That sense of intention carries behind the camera as well. Two Sleepy People was written by and stars Baron Ryan and Caroline Grossman, grounding the film in a rare form of authorship in which the people shaping the story are also living inside it. Produced with the support of Creator Camp and made in just 100 days (from writing through theatrical exhibition), the project reflects a model of independent filmmaking rooted in community, restraint, and creative clarity rather than scale.
Not every fantasy needs to explain itself fully to be meaningful. Sometimes it simply needs to create enough space, in story and in process, for something honest to surface.
Audience Poll
What actually creates meaningful change?
The results are in! 75% of you voted for In my faith in last week’s poll: Where do you feel yourself growing right now?
The 3% Flywheel
WHY 97% OF INDIE FILMS LOSE MONEY

Courtesy of Atyanna Siller, The Daily Texan
Over the years, we’ve met countless filmmakers who poured themselves into a project, only to walk away without an audience or a return. Not because the work lacked heart or craft, but because most independent films never had a real chance to survive.
This new section exists to test a different path. Each time, we’ll look at one real example of how filmmakers are building toward the 3% — the small fraction of indie films that actually turn a profit — using the P.R.O.V.E. Method™.
Popular Myth: make the movie, hit festivals, wait for a distributor.
Real Alternative: build the audience first, then let data lead the deal.
On-Set Test: creator communities like Creator Camp.
Validate With Data: sold-out screenings driven by fans of the filmmakers, as seen with Two Sleepy People.
Earn Trust: momentum spreads through word of mouth.
When filmmakers build an audience early, their work doesn’t vanish after release. It meets people who are already paying attention… and momentum has somewhere to grow.
*Plumb News is not affiliated with “Two Sleepy People” or Creator Camp and does not receive compensation for featuring it. We’re highlighting it because we believe stories like this deserve support.
The Plumb Line
COUNTING THE DAYS

Courtesy of Priscilla Du Preez, Unsplash
“Teach us to number our days, that we may gain a heart of wisdom.” — Psalm 90:12 (NIV)
Time is easy to waste when it feels unlimited. Repetition can dull urgency, soften consequences, and convince us there will always be another chance to get it right.
But wisdom begins when we recognize that time isn’t a loophole — it’s a responsibility. To number our days isn’t to fear their end, but to steward each one with care. To notice where we’re choosing comfort over conviction, improvement over transformation, habit over intention.
Stories that pause time remind us of something true in real life: change doesn’t happen all at once. It happens when we stop assuming tomorrow will do the work for us and decide to live differently today.
Until next time,
THE PLUMB NEWS TEAM